Showing posts with label sequential art. Show all posts
Showing posts with label sequential art. Show all posts

Thursday, August 28, 2014

This is What Finished Looks Like

Ok, technically this is the next to last page. But we are finally finished with the Kindle Comic edition of Kung Fu Rabbit:The Beginning!!  The pages will be uploaded this weekend and  put out there into the big bad world  on Sep 1st!!


Thursday, August 21, 2014

Kung Fu Rabbit: Page 13



Just another example of the writing and art coming your way September 1st when Kung Fu Rabbit: The Beginning becomes available on Kindle!!

Wednesday, May 28, 2014

My "Method" As it Were....

I'm finishing up the prologue and will be preparing it for publication shortly, but  at the moment I am in search of a colorist ( for reason that will become obvious shortly) so in the meantime I thought I would highlight several panels that are in various  stages of production so that I can show how it is that I do what I do from the  first rough sketches to the finished product.
  Speaking of rough sketches, here is one of young Peyung fighting the original Kung Fu Rabbit, and losing.  I do these really rough, and often change the positions of the limbs several times before I'm over.  I don't normally leave them  this messy, but I couldn't find my eraser.

  Once I decide where I want the limbs, I pencil it in with a tad more certainty, and erase the extra lines.

From there I frame things up with a ruler and  sharpie.  I  ink it with a series of  round brushes of various sizes and Black Magic ink. I commit horrible crimes with my eraser once the ink dries.  I will occasionally jot possible dialogue in the borders between frames, and these frames aren't in any particular order other than what would fit on the paper.
  Eventually these will be assembled into the right order, dialogue added, and made ready for publication.

  Alas, here is where I run into a wee problem.  I am not a digital colorist,as I have proven on other  projects. I also want a very organic color scheme to the prologue all of which takes place  in and around the ancient rabbit temple.  To get that look, I  broke out my watercolor pencils and  colored some pages then scanned them in. Apparently the scanner function on my copier/printer/scanner was added as an afterthought because even at it's best, it makes my colors look all washed out.  This looks much better in person, and so far, no amount of digital tweaking can  fix the washed-out look.
  The search is on for a colorist who can see the picture that's inside my head, and will work for free, or at least for  so cheap that it would appear to be working for free. They also need to be able to  shift gears to a non-organic color scheme once the scene shifts away from the rabbit temple to the outside world. That's a tall order for 'free'.  I intend on giving the eventual colorist full credit, and I would be happy to share  money with the colorist if the money ever arrives, but in the meantime, if you know anybody, let me know, ok?


Monday, May 12, 2014

The Mask

  This really has nothing to do with the  upcoming  Kung Fu rabbit book, but I thought I'd put it out there since it  concerns the  sequential art form in general, and  two iconoclastic DC characters in particular.
  I have a theory about Superman and Batman.  I'm sure  this theory doesn't originate with me, but this is my own particular take on it.  I think the reason these two  characters have become the  mutual flagship characters of the DC universe are manifold. For one thing, they exist at  different extremes of the  same spectrum and , among comic fans, you are generally either  a Superman guy or a Batman guy. I'm a Batman guy myself. It seems everybody has a preference, but why these two?
  Well, for starters,  Batman has always been, to me, the more  accessible of the two figures.  I could be Batman if I put my mind to it.   To be Superman I would have had to have been born on a  distant doomed world and arrive here with super powers given to me by earth's yellow sun. Frankly, it's too late for that. In fact, by the time I was born it was too late for most of that.  But Batman is different. He has no powers.  In theory, if I were to get an early enough start on things, and inherit a billion dollars ( plus a mansion  with a cave and a penchant for inventing) and dedicate my entire life to exercising and training, I could still be Batman. It's unlikely, but not impossible. It's way more plausible than the Last Son of Krypton.
  Batman  also exists in a dark, gritty underworld full of corrupt  police and  corrupt  officials and  lots  of abandoned warehouses.  There is never a sunny day in Gotham.  In Gotham, the  powerful and the corrupt preside over the decay of a once great city and their descent into depravity is mostly held in check by one man  armed with  gloved fists and his brain.  That seems a lot more realistic than the eternal sun shininess and gleaming skyscrapers of Metropolis.  It seems more believable to me that the heroes would have to labor in the  dark alleys and seedy underbellies rather than  zipping across the city skyline in  red and blue,  waving to their adoring fans before stopping to rescue a kitten.
  Keep in mind that I think it's silly to  try to  'darken' Superman. His inherent nobility and perfect hair have their own appeal and make perfect sense.  Of course he's in a good mood; he's invulnerable!  Meanwhile, Batman is  driving back to the Batcave with a  broken leg he got from falling off a roof.  He'll grit his teeth while Alfred  sets his broken bones and he'll come up with a lame excuse as to why Bruce Wayne has a broken leg.  The Batman will heal, and the work will go on. Life's hard, and  Batman knows this on a level that the Big Blue Boyscout will never understand, because frankly, when you're Superman, life is easy.
  There is also something pretty significant about the two of them; the masks.  Batman wears a mask, and Superman doesn't.  I've always found that odd.  Superman grew up as Clark Kent and obviously doesn't need glasses.  He was  Clark long before he was Superman, and when the character is   accurately portrayed, I think what you have is  this  big  dumb, clumsy farm kid from Kansas who has the power of a god.  When he thinks, he doesn't think like Superman, he thinks like Clark. His  morality isn't from Krypton; it's from Kansas.  If that  space craft had crashed landed anyplace else,  the DC universe would be in real trouble. Superman is a force for good not because he's powerful, but because he was raised by good stock.  Of the two halves of his persona,  the guy in the red and blue tights is the fake; Clark Kent is who he really is.
  Batman is the exact opposite. He really is Batman all the time. The wheels are always turning in  his head. He never rests, he never takes a day off. Bruce Wayne has no hobbies, because Bruce Wayne died in the alley alongside his parents. On that day, Bruce Wayne became the shell, and his real  persona of the  Dark Knight was born.  The money, the parties, the lavish playboy routine, it's all part of a carefully calculated deception  to make people believe in Bruce Wayne.   
  It's interesting to me that Clark, when he decided to put on the persona of Superman, didn't put a disguise on Superman; he put a disguise on Clark.   He hid who he really was so that he could pretend to be somebody that he  isn't.  Why not  wear  glasses and a tie as Superman?  Why wear, in your  fake persona, your real face?
  Batman on the other hand, puts on a mask so that you can see who he really is. Crouching on a rooftop in the pouring rain is true nature, and to do that, he puts on an elaborate disguise.
  I suppose you could make the case that since Superman is the fake half, and Bruce Wayne is the fake half, that both men present their  fake halves to the world with  a maskless face. Both men put a mask over who they really are.  One guy wears a tie and glasses when he's being himself, and the other one wears a cowl.  Maybe they aren't as different as  I thought. That is  sort of brilliant in its own way, don't you think?